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Schoeps話筒麥克風(fēng) CCM 2XS 話筒 Schoeps麥克風(fēng) CCM 2 XS
CCM 2XS 緊密型話筒
全指向模式
輕微的高頻提升可以補(bǔ)償錄音距離接近混響半徑時的損失
在錄音方面有廣泛的應(yīng)用
通常用于“間隔擺放話筒”的立體聲拾音和“Decca Tree”陣列
CCM 2XS COMPACT MICROPHONEPROPERTIES
omnidirectional pattern
diffuse-field equalised capsule
for miking distances at which the predominant sound is no longer direct
useful for relatively distant placement in reverberant environments – as a room microphone, for spaced stereophony and in Decca Tree arrangements
DESCRIPTION
The CCM 2XS (formerly CCM 3) is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately.
But when sound arrives from nearby sources in front of the capsule, high frequencies are distinctly accented, leading to a sound image with special brilliance. If this type of microphone is used close to the sound source, the emphasis of high frequencies for on-axis sound incidence would become clearly audible, producing an overly brilliant sonic impression.
Since most recording today is miked more closely than in decades past, microphones such as the CCM 2S or CCM 2H are a reasonable norm for the majority of spaced-omni and “Decca Tree” applications. But if miking distances more typical of the mono and early stereo era are to be used, a capsule such as the CCM 2XS, with its full diffuse-field equalization, may well offer the optimal balance of focus, depth and spaciousness – and the KA 40 accessory spheres can then add a further measure of presence to the sound at such distances, if desired. The CCM 2XS is also often used as an ambient room microphone.
