DiGiCo SD5 數(shù)字調(diào)音臺(tái)
SD5 : Overview
124個(gè)輸入通道
·56條母線
·32個(gè)32段圖示均衡
·24 stereo FX效果器
·24個(gè)VGA
·24 x 24矩陣
·24Bit/48KHz、24Bit/96K
DiGiCo SD5: “Intelligence is power...”
Remember the D5 Live? Well, the SD5 is the modern-day incarnation of that console; think the D5 Live on steroids and you're getting close! Yes, it fits directly into the D5's shoes, but thanks to the inclusion of Stealth Digital Processing, floating-point Super FPGA technology, and a host of new features, it packs a far bigger punch.
Scratching the surface
Like the SD10, the SD5's 37 faders are laid out in three convenient banks of 12 with one master fader with the added benefit of three 15-inch full colour TFT touch screens for even quicker access and multi-user applications. In addition, there are two interactive dynamic metering displays (IDMs) as used in its big brother, the SD7.
The centrally located master screen has been incorporated into the worksurface meterbridge design to provide a lower profile meter bridge and allow for complete user feedback; this means the engineer never needs to move far from mix position: there is clear visibility of everyone on stage, and all control is less than an arm's length away.
To make life even easier, engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or or dedicated switches on the console. In addition, special functions can be assigned and accessed instantly via the console's 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.
What's under the hood?
The SD5 provides 124 processing channels at 48kHz/96kHz.
Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on the outputs) with band curve selection, Dual insert points, DiGiCo's DYN 1 (Compressor, De-esser or assignable Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).
The console also benefits from 24 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also 24 assignable Multiband Compressors and 24 assignable DiGiTubes; and no matter how the console is set up, the user won't lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.
The master section incorporates 32 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.
In addition, we've included 56 configurable busses, all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we've provided a 24 x 24 output matrix, dual solo busses, and a stereo/LCR Master buss. Essentially, users have the equivalent of 87 busses of DSP at their disposal.
Unlike all other digital console manufacturers, you don't lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.
I/O
The rear of the SD5 houses all of the I/O, and there's plenty: eight mic inputs, eight line inputs, eight mono AES I/O, three redundant MADI ports, and one Optocore loop.
This amounts to an incredible 1264 I/O connections on a single optic loop with one worksurface.
In addition, there is an optional DiGiCo SoundGrid module which can be fitted to both engines for full redundancy when linked to two external PC servers such as SoundGrids or DiGiGrids. This provides the user with instant access to 16 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack. That's 128 I/O - and as you'd expect from DiGiCo, this is all additional I/O.
All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.
SD5 : Technical Specifications
General Specifications
- Faders 37 x 100mm touch-sensitive, motorised
- Screens 3 x 15” LCD high - resolution touch screens
- Meterbridge 2 x Custom Mounted LCD high-resolution TFT-LCD screens
- Input Channels 124
- Busses Up to 56 plus masters Aux / Group busses with full processing Mono / Stereo / LCR / 5.1
- Matrix Up to 24 Input / 24 Outputs with full processing
- Control Groups Up to 24, selectable for VCA-style, Moving fader, Mute Group
- Graphic Eq 32 x 32-band, Gain +/- 12dB
- Internal FX Up to 24 stereo effects comprising up to 16 floating point reverbs and up to 24 delay/chorus/pitch/enhancer
- Local I/O 8 x mic/line I/O, 8 x AES I/O
- MADI interface 3 redundant interfaces, BNC connectivity
- Optic interface Fibrecast optic
- Sampling rates 48kHz / 96kHz / 192kHz (processing capabilities halved at 192kHz)
- GPI/GPO 16 as standard, expandable to 32
- Ext Sync Wordclock, AES, Video, MADI, Optics
- Physical Dimensions 1465 mm (w) x 838mm (d) x 458 mm (h)
- Weight 116Kg (233 Kg with flightcase)
- Power Requirements 90V-260V, 50-60Hz, 532VA (340W)
Audio Specification
- Sample Rate: 48kHz, 44.1kHz or 96kHz
- Processing Delay: 2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k
- Internal Processing: Up to 40-bit, Floating Point
- A>D & D>A: 24-bit Converter Bit Depth
- Frequency Response: +/- 0.6dB (20Hz – 20kHz)
- THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
- Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
- Residual Output: <90dBu Typical
- Noise: (20Hz - 20kHz)
- Microphone Input: Better Than -126dB: Equivalent Noise
- Maximum Output Level: +22dBu
- Maximum Input Level: +22dBu
Processing Channel Specification
Input Channel
- Name: User-Defined / Presets
- Channel Selection: Mono / Stereo / Multi
- Input Routing: Main & Alternate Input
- Analogue Gain: -20 to +60dB
- Phase: Normal / Reverse
- Digital Trim: -40 to +40dB
- Delay: >1 Sec (Coarse & Fine Control)
- DiGiTuBe: Drive 0.01 - 50.0
- Bias 0 - 6
- LPF: 20 – 20kHz, 24dB/Oct
- HPF: 20 – 20kHz, 24dB/Oct
- Insert A: (Pre EQ/Dyn) On/Off
- Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
- Dynamics 1: Single or Multiband (3-Band)
Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft
De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz
- Dynamics 2: On/Off
Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 - 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz
Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
- Insert B: (Post EQ/Dyn) On/Off
- EQ/Dyn order: EQ/Dyn or Dyn/EQ
- Mute: Channel Mute / Hard Mute
- Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
- Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
Full Safe
- Output Routing: Buss, Insert A, Insert B, FX
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
- Fader: 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
- Name: User-Defined / Presets
- Phase: Normal / Reverse
- Digital Trim: -20 to +60dB
- Delay: >1 Sec (Coarse & Fine control)
- DiGiTuBe: Drive 0.01 - 50.0
Bias 0 - 6
- LPF: 20 – 20kHz, 24dB / Oct
- HPF: 20 – 20kHz, 24dB / Oct
- Insert A: (Pre EQ/Dyn) On/Off
- Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
- Dynamics 1: Single or Multiband (3-band)
Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft
De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz
- Dynamics 2: On/Off
Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 - 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz
Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz
- Insert B: (Post EQ/Dyn) On/Off
- EQ/Dyn Order: EQ/Dyn or Dyn/EQ
- Mute: Channel Mute / Hard Mute
- Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
- Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
- Output Routing: Outputs, Insert A, Insert B, FX
- Fader: 100mm Motorised Fader ∞ to + 10dB
DIGICO X-SD5 土豪金數(shù)字調(diào)音臺(tái) DiGiCo土豪金調(diào)音臺(tái)
當(dāng)DIGICO D5在2002年第一次發(fā)布時(shí)，它就牽起了一場(chǎng)席卷現(xiàn)場(chǎng)專業(yè)音頻市場(chǎng)的風(fēng)暴，并迅速出現(xiàn)在各種可能適合的演出場(chǎng)合中。設(shè)計(jì)師可以直接在家操控D5----它的直觀、模擬風(fēng)格布局、再加上數(shù)字調(diào)音臺(tái)的動(dòng)力和靈活性，給調(diào)音師提供了強(qiáng)大的自信，而越來越多的人習(xí)慣使用現(xiàn)場(chǎng)數(shù)字型的調(diào)音臺(tái)。
現(xiàn)在，十年過去了， DIGICO發(fā)布了SD5。一張由英國(guó)設(shè)計(jì)和制造的全新調(diào)音臺(tái)，毫不費(fèi)力地革新了D5，增加了我們獨(dú)特的Stealth Digital ProcessingTM和SD系列調(diào)音臺(tái)都具備的先進(jìn)功能。
SD系列中的SD10和SD7提供了舒適的操縱，而SD5是另外一款完美的選擇。
作為標(biāo)準(zhǔn)調(diào)音臺(tái)， SD5內(nèi)置了2GB的光纖網(wǎng)絡(luò)，可以運(yùn)行多達(dá)448個(gè)通道的輸出和輸入（ 96kHz），可以通過額外的56條調(diào)音臺(tái)到調(diào)音臺(tái)的線連接到14臺(tái)SD系列的機(jī)架， 3個(gè)冗余的MADI端口使線纜可以連起來。
SD5比其他型號(hào)更安靜，電源供給的設(shè)計(jì)上沒有那么多的風(fēng)扇，相反我們使用大型的散熱器取代了它，這使得SD5是我們制造過的最安靜的一款調(diào)音臺(tái)。
SD5有三個(gè)大型的觸摸屏，提供了快速和簡(jiǎn)易的步驟進(jìn)入到SD5功能項(xiàng)。調(diào)音臺(tái)的中央部分設(shè)計(jì)成屏幕是嵌入式的，點(diǎn)擊便可訪問宏，快照，耳機(jī)和反饋控制。
大型的TFT屏幕加上熟悉的隱藏式指示燈（ HTL）旋轉(zhuǎn)控制器以及快速訪問功能按鈕，使得經(jīng)驗(yàn)豐富的用戶或者那些第一次使用DIGICO調(diào)音臺(tái)的用戶具有容易控制調(diào)音臺(tái)的能力，并且可以在很短的時(shí)間內(nèi)操控。
當(dāng)然，混音調(diào)音臺(tái)主要是音頻和兩個(gè)大型交互式的數(shù)字電平表（IDM），她們提供了即時(shí)的視覺指引，包括每個(gè)通道的信號(hào)電平與壓縮器和門限器的輸出。
SD5也使得處理多通道音頻更加輕松。從The DiGiCo SD5十年歷程- 從 D5 到 SD5 5.1環(huán)繞到一個(gè)11的多通道，都沒問題。（簡(jiǎn)單折疊一個(gè)通道到混音推子上，或者展開調(diào)音臺(tái)界面的單個(gè)通道調(diào)整相對(duì)電平、動(dòng)態(tài)或EQ。）
同樣，新的溢音設(shè)置特性允許任何的通道收集，可以通過一個(gè)智能鍵切換到工作界面。如果您需要看樂器部分，編組控制推子和FX返回把它們分配到溢音設(shè)置和您面前的一個(gè)按鈕。關(guān)閉溢音，您會(huì)回到調(diào)音臺(tái)之前的狀態(tài)。從D5的DSP架構(gòu)到SD5的超級(jí)FPGA，還具有Stealth?Digital?ProcessingTM?和Tiger?SHARCSTM效果芯片，通過處理通道被維護(hù)，確保音頻質(zhì)量。準(zhǔn)確和音樂EQ，可控制的壓縮和門限影響著音頻，比如您想它怎樣操作，而不只是因?yàn)槟蔷褪菙?shù)字調(diào)音臺(tái)的聲音。
SD5比D5小得多，包含了所有調(diào)音臺(tái)本身完成的處理功能。對(duì)于SD系列的其它設(shè)備， SD5與DIGICO的所有遠(yuǎn)程舞臺(tái)接口箱兼容，包括SD-RACK,MINI-RACK和NANORACK。機(jī)柜連接是通過56個(gè)通道的MADI或光纖連接。這個(gè)加上調(diào)音臺(tái)后面板的本地I/O使得SD5極其靈活以及可以在任何情況下快速配置。
S D 5 有 1 2 4 個(gè) 通 道 路 由 到 5 6 條 母線， DIGITUBE和DE-ESSERS在每個(gè)輸入通道都可選擇。 24個(gè)動(dòng)態(tài)均衡器，多段壓縮器和數(shù)字FX，加上32段圖示均衡器和一個(gè)24×24通道矩陣， SD5是一次成功的革新。
然而，令人贊嘆的不但是性能——還有它的體積。 FPGA高密度的架構(gòu)和 TigerSHARC芯片意味著，整個(gè)處理引擎，能輕松地安裝在SD5的操作臺(tái)面下。Stealth Digital Processing™—可聽的性能。
*當(dāng)兩個(gè)環(huán)路被連接時(shí)Stealth 數(shù)字處理引擎新一代先進(jìn)的數(shù)字信號(hào)處理和音頻質(zhì)量SD5的核心是Stealth數(shù)字處理混音技術(shù)和路由引擎。基于強(qiáng)大的FPGA（現(xiàn)場(chǎng)可編程門序列）技術(shù)和Tiger SHARC處理器，給您帶來最強(qiáng)大的動(dòng)態(tài)處理和靈活的數(shù)字混音調(diào)音臺(tái)。
Stealth與其他音頻處理技術(shù)不同，只需要一個(gè)芯片就可以使用最大的124個(gè)輸入處理通道， 56個(gè)輔助或編組母線運(yùn)行到單聲道，立體聲， LCR或5.1， 24個(gè)矩陣和多達(dá)
24個(gè)VCA類型的控制編組。32個(gè)圖示均衡器控制您的主擴(kuò)或監(jiān)聽系統(tǒng)，提供令人驚嘆的混響和效果陣列。
SD5采用Stealth 數(shù)字處理技術(shù)，提供一系列的延時(shí)，混響，合唱和更多功能。
然而這不僅僅是數(shù)字，Stealth數(shù)字處理引擎具有高分辨率的音頻清晰度。它可以在48kHz 或96kHz 的采樣率下運(yùn)行，給你完整的大量同步信號(hào)通道。
S t e a l t h 讓 你 充 分 利 用 8 9 6 *個(gè) 同 步 光纖， 168個(gè)MADI， 16個(gè)模擬I/O， 8個(gè)AES/EBU（單聲道），使一個(gè)復(fù)雜的演出變得簡(jiǎn)單。
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